I learnt some key terms that people definitely need to know if they want to work in filming!..
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Continuity editing
Editing that creates action that flows smoothly across shots
and scenes without jarring visual inconsistencies and establishes a sense of
story for the viewer. The point of
continuity editing aims to present a scene where the editing is ‘invisible’
(not consciously noticed by the viewer/audience) so the viewer is never
distracted by confusing jumps between shots or a change in the spatial lay-out
of the scene.
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180° degree rule
Part of the continuity system is the 180° degree rule, which is
that the camera must stay on only one side of the actions and objects in a
scene. This creates an invisible line, known as the 180° degree line or axis of
action, which runs through the space of the scene. The camera can shoot from
any position within one side of that line, but it may never cross it. This rule
ensures that the shot will have consistent spatial relations and screen
directions so the viewer will not get confused.
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Eye-line
match
An eye-line match is a technique used to keep the spatial
continuity of the shot and it makes the cut less noticeable. EG, in an eye-line
match, shot A shows a character looking off-screen and shot B shows what the
character is looking at. The character's gaze is directed precisely so that it matches
the spatial lay-out established in earlier shots. This matching keeps the
spatial relations among characters and objects consistent from one shot to the
next. At the same time, the eye-line match makes the cut slightly smoother,
since the viewer expects the cut and is anticipating what the next shot will
show.
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Match-on-action
A match-on-action cut takes place when a shot is cut during the
same scene, changing the perspective of the audiences’ view, but the scene
remains smooth and flows without disruption. A successful match-on-action would
mean that the viewer would not consciously notice the cuts. An example of
match-on-action could be a shot of a man walking towards a door and beginning
to open it, then a cut to the opposite side of the door where you see the scene
continue, however from a different perspective (you don’t notice they are two
separate shots because the flow of the scene remains).